Amon – The Innermost Legacy

Artist:  Amon
Title:  The Innermost Legacy
Format:  2xCD in gatefold cardboard digisleeve with inner sleeves / digital download
Label:  Eibon Records / Silentes
Cat. number:  AMN017R / SME1868
Tracks:  6 + 9
Playing Time:  64:48 + 58:28
Release date:  December 2018
File under:  Dark Ambient / Drone Music / Experimental

You can listen the complete CD album and purchase it on the dedicated Bandcamp page.


Tracklist:

Disc 1 – “The Legacy”

01.  Sandstones  (11:36)
02.  The Legacy I: Enter Darkness  (12:35)
03.  The Legacy II: Machinery  (9:55)
04.  The Legacy III: Domes/Colonies  (15:22)
05.  The Legacy IV: Exit Light  (5:32)
06.  Amunhaptra  (9:46)

Disc 2 – “Live Report”

01.  Rise of Thermutis  (4:03)
02.  Khore  (7:18)
03.  Mopula  (6:05)
04.  Hiram Roi  (9:08)
05.  Darkside Return I  (2:38)
06.  Aura Rhanes  (6:48)
07.  Ank-Sen-Amon  (9:08)
08.  Nona  (8:13)
09.  Darkside Return II  (5:05)


Samples:


Credits:

Disc 1 – “The Legacy”

All tracks performed and recorded between September 1998 and August 1999 at Lips Vago Digital Studio.

Original mastering by Alberto Cutolo at Elettroformati.

Remastered by Andrea Marutti in May 2018.

Many thanks to all the people who helped me shaping the music on this CD and to everyone who showed appreciation for my past works.

Some of the tracks included in this CD contain unidentified sound sources.

Originally released by Eibon Records, 1999.

Disc 2 – “Live Report”

Tracks 01 and 04 recorded live at Molto Gallery, Milan, Italy, 08.04.1997.

Tracks 02 recorded live at BoPop Open Air Festival, Fiera District, Bologna, Italy, 12.07.1997.

Tracks 03 and 05 recorded live at Distorsonie 98, Link, Bologna, Italy, 25.04.1998.

Tracks 06, 07 and 09 recorded live at Primo Congresso Post-Industriale Italiano, Rototom, Pordenone, Italy, 29.05.1998.

Track 08 is a rehearsal recorded at Lips Vago Digital Studio, Milano, Italy, late 1999 / early 2000.

Compiled and mastered by Andrea Marutti in April / May 2018.

Thanks to Pietro Falagiani for his dedicated assistance during the making of the original recordings.


Press release:

Dark Ambient with unearthly and ghostly melodies + unidentified sound sources. After 19 years a new edition of this masterpiece of Dark Ambient seen a new light. Completely remastered with an addition of nine live tracks never been released before.


Notes by Andrea Marutti:

I am glad to see “The Legacy”, Amon’s third CD album, re-released after almost twenty years since its original publication.

In 1998, when I started recording the tracks that ended up on the CD, I was particularly interested in the phenomenon known as the “Face on Mars” – located in the Cydonia region – photographed for the first time in 1976 by the American probe Viking Orbiter 1 during its mission. Such pictures, taken at a very low resolution compared to those taken more recently during other missions, clearly showed a Martian face resembling the Great Sphinx of Giza and some pyramid-shaped structures.

‘The legacy’ to which I referred in the title, concerned my opinion about the fact that someone in ancient times may have left on the Earth and on Mars a sign of their passage. Much of the album was inspired by this theme.

On these recordings I almost completely abandoned the synthesized sounds that were used on “Amon” and “El Khela”, in favour of a large use of samples. The tracks were not sequenced and built as in the previous works, but were culled from long improvisations that also included “controlled feedback” as a sound source.

The bonus disc included in “The Innermost Legacy” mostly contains a selection of tracks recorded during various concerts I played in the late ’90s. For this project I choosed the best takes available and tried to edit them as little as possible, in order to maintain the atmosphere of the original recordings, creating a continuous mix.


Reviews:

none yet…

Reviews of the original 1999 CD album:

Prog Archives, Philippe Blache, February 2009
“The Legacy” is a vast collection of cosmic synth drones coming from outer space. We travel in complete darkness, through mysterious, haunted and evocative mindscapes. This is in the same mood as other Amon’s releases and is still gorgeous to our ears. This is discreet music built on long monotonous-cloudy buzzing dronescapes. The opening track is a dark dense spherical drone that guides the listener in a truly desolate place, in front of nothingness. Quite beautiful with dying resonances. “The Legacy I: Enter Darkness” features unearthly abstract droning textures, revealing almost phantom like presences. It carries on with an austere and spacious sound architecture (“The Legacy II: Machinery”). In “The Legacy III: Domes/Colonies”, the tension goes further with epically bleak ambiences that takes us into a creepy, suffocating ambient universe. “The Legacy IV: Exit Light” is a much more detached, suspenseful piece built on eerie drones for high frequencies and massive burgeoning echoes. “Amunhaptra” closes the album with glacial subterranean drones. “The Legacy” provides a convincing avalanche of nocturnal drone rituals, creating some vertiginous states of listening. Play loud.

Spectrum, J.C. Smith, August 2000
Andrea Marutti’s third venture as Amon (he also navigates through darkened territories as Never Known) is, unquestionably, his finest, most complete work to date. A passageway carved from humming drones opens “Sandstones”. Brittle, clamoring machinery ambience patiently moves to the forefront, as the humming drones grow more tonally rich. The track furtively shifts from its brittle beginnings, to being almost boisterous, a leviathan of unwavering sonic audacity. There is a thickness to these tones, as layers congeal amidst a murky, all-enveloping fog. The following four tracks constitute the four chapters of “The Legacy” cycle, exploring different facets of the drone territories. The darkness shimmers, grows more prominent during “The Legacy I: Enter Darkness”, as low rumbles are massaged by aching winds that sink deep into the landscape of soft gray matter. Desolation of mind is featured here, midnight in the desert of decaying dreams, erosion that leads to isolation. “The Legacy II: Machinery” really escalates the tension, as the multi-layered engines of the drone machinery grow more kinetic, tightly wound motion of a foreboding origin. The murky fog thickens to malleability, seductive in its blindfolding embrace, hinting at melodies buried way, way underneath, breathing ominously, a stentorian resonance. Pure undulating darkness, the darkness from the earth’s core (or, at least, the core of the most oppressive nightmare), full-bodied, dense, and yet spacious, as sounds skitter underneath, scampering toward the furthest horizon, toward oblivion. “The Legacy III: Domes/Colonies” is bathed in crystals whose luster is radiant, offsetting the darkness, but not the inherent solitude. It gives the solitude a chilling companion, a mocking hope awash in false light and promises unfulfilled. The crystals carve a serrated edged cavity into the drones. “The Legacy IV: Exit Light” leads one back to the light, but this is not a comforting ascent, rather alien to be quite honest. A distinctive, piercing drone seems reminiscent of a like-minded, somber drone from “The Day The Earth Stood Still”, or some such science fiction movie that I cannot quite place, but it’s there, I know it’s there. The final track, seeking refuge beyond the Legacy quartet, “Amunhaptra”, is not a peaceful finale. The ambience seems haunted, as jittery tones reflect off of abandoned machinery, all the while swelling and mutating, rising like defiant shadows in a warehouse graveyard (mysterious, hinting at deception and discomfort). With “The Legacy”, Amon solidify their status as one of the finest purveyors of drone-infested darkness, the magnitude of which can shatter souls. An awesome display!

Re:mote Induction, PTR, January 2001
Amon start “The Legacy” with “Sandstones”, a bass slowly rising, tipped by a higher edge. Rising from a quiet beginning into a light drone. Building until it gains a tangible feel; for all that, it is still building. A sustained solid layer of sound, one that seems too thick to support motion, but flow it does. After the epic “Sandstones” comes “The Legacy I: Enter Darkness”, a slight motion – its peak shorter lived than the drawn out tail. The cycle repeats, this rounded tone sustained further each time. The fore tone gains something of a piercing intensity, while the background is ephemeral and drifting. Rotary pulses expand outwards – coherent waves in slow hypnotic motions. Chasms echo in spatial openings maintaining Amon’s progress. “The Legacy II: Machinery” has more of an immediate start, though in this context that is a relative thing. Drawing out bubbles from a sustained mid-level. The fore gaining an edge of reverberation, working a cold bass that shimmers in its light oscillation. While the previous pieces have had an open feel this is perhaps more enclosed – looking out into that darkness that remains. A wetness creeps in, slight drips and shifts, suggesting a primordial influence. The bass takes on a more chromatic feel in “The Legacy III: Domes/Colonies”, perhaps brassy as we catch its gleam. Repetition starting before completion, giving impression of low expansions. Rising in strong moments, from the suggestion of depths. Progressing “Domes/Colonies” goes through different phases, a slow expansion till it becomes encompassing – though fading off in a gradual conclusion. Next comes “The Legacy IV: Exit Light”, taking on a solid series of tone, backed by a deep bass (with rumbling hints). Rotation and vibration, different sound influence but consistent, easily, with the body of work that is “The Legacy”. Grittier threads can be found in the sound, while the thick bass vibrates nearing distortion. Collected this is drawn out in a long fade. Conclusion comes with “Amunhaptra” a slow stream rising. With a low ticking level within the core, higher streaks brushing through. The sound remains subdued, with hints of drone and whine forming solid ridges. Elements which rise and twist within the dark. Rumbling echoes thud, suggested thunder and the feeling of an ending. “The Legacy” is a bass heavy piece of work, creating a permeating and impressionable soundscape. Amon leaving a distinct memory as they overwhelm your atmosphere.